Tuesday, February 23, 2016

RECONSTRUCTING GOOD KIDS

I've realized that my favorite part of film making is editing.  I love that point of putting the story together so much that a few months ago I got Adobe Premiere Pro so I could work at home instead of having to go to Iowa City.  This has made things easier and it's given me the chance to work on things I normally wouldn't get to do.
After I finished the "More Than A Performance" documentary I was cleaning files and got rid off all the interviews and excess footage but kept all the footage I got during rehearsals and the one performance I was allowed to shoot clips from.  To get used to the new program I just started editing one of the scenes and thought it turned out pretty good.  So good I did another scene, then another, then another.  I've finished it and have the entire play now.  Every word of it.
I'll admit it's not perfect.  Some times the actor speaking is off camera, the darker moments are grainy and sound can be kind of wonky as the actors were facing away from the mic.  Still, considering it was three different cameras, three mics, three performance and three audiences it's at least 90% good.  There are great moments that are crystal clear and have just as much of the power and emotion as the live performance.
I've watched it several times in the past week and it's really impressive.  To make it a complete, watchable piece I even added opening and closing credits including actors, designers, stage managers, author and director.
I can show a small clip.  I had to put this on youtube because that way I can keep it private so only the link from here will get you there.  Youtube quality isn't as good as Vimeo but you'll get the idea of what the final product looks like.

Introducing the Mustangs

The challenge now is finding something to do with it.  It's a bit complicated because, right now, there are three owners of the piece.  Naomi Iizuka owns the script, UI Theatre owns the production, and I own the film version.  What can I do?
I contacted the director of the play and UI Theatre to see what he thinks and he's very excited about it.  He wants to see it and then will check with Naomi and see what they can come up with.  I'm hoping I can at least make it available o the actors.  
Deep down inside I hope there is some way we can get this seen.  Personally and professionally I think this is a very important play.  To important to be forgotten.  I also think having it seen would be a big win for everyone involved.  I keep asking myself what the downside of having this shown be?  So far nothing has come to mind.

Sunday, February 14, 2016

THE BURNING ROOM

While fiction isn't going well film making is working out quite well.  I've got several short films in various stages of production and casting   The biggest we will shoot on the 27th called The Burning Room.  It's a very politically charged film with lots of things going on.  All of the cast, Chelsea Wing, Alice Doherty, Tera Cooling and Danny Peterson are experienced performers.  It's the most experienced cast I've ever had and it shows.  It's really unique in the rehearsal process for this one.  Lots of times rehearsal and take one have been the same thing.  Also got Josh Goding to take over the camera work and invited a few others to join us.  I've learned the more eyes you have on a film set the better.
Yesterday I went in and built the set.  I don't want to leave anything to chance so I put everything together.  I had been worried about the floor a lot.  I didn't want the carpet of the studio and considered shooting elsewhere even though that would mean lots of equipment getting moved, or not being used.  It was a big move put I was able to pull back the carpet in the studio and the floor mat underneath it so I could get the cement floor.  I added some rusty bits of metal and a chain for details and it gives the feel of a dark and dangerous place.
I've reserved the studio on the evening of the 25th so I can get in and build the set again.  That way when we get in on the 27th to film it's be ready to go.

FICTION WRITING

It's really slow going writing fiction this time around.  I don't know what it is.  I'm excited about it, I want to do it, but it's just difficult for me to sit down and write.  I'm going to try and improve things with dictation software again.  I've done that before and it worked a lot.  Now the problem is Windows 10 and the Nuance software don't play well together. 

Sunday, February 7, 2016

BACK TO STARPOINT

I've realized how bad it has been just letting the Starpoint Mountain series fall by the wayside since I started doing films.  I really am embarrassed by it.  I should have been smarter and I better get my ass in gear and make up for things.
I'm back up to writing every day.  Some days I get out a sentence, some times, a word, but at least I'm working on it.  It's harder than I expected to get back in to the flow of things but I'm forcing myself to get moving.  When I am sitting and working on it I 'm very excited about it.  It's just sitting down and doing it that takes lots of concentration.
To help jump start I've started advertising again, ordered some promotional items, and changing everything over to Create Space.  This will help me get in to Barnes and Noble in some ways. 

Saturday, January 30, 2016

FIGHT FOR THE ARTISTS

Early last year I was contacted by two professors at the University about doing some film work for them.  They were recreating a version of the Milgrim experiment.  This was a psychology experiment done in the 50's where people were asked to do word association tests.  If they got the words wrong someone would push a button and the subject would get shocked.  The more they missed the worse the shock until it would eventually seriously injure them.  The true meaning of the test was to see how long the person would keep pushing the shock button when they knew someone was getting hurt.  It was all staged, recorded, and no one was really getting shocked. Even knowing it was fake the set up was so authentic it was difficult to keep watching.  It was quite a challenge to recreate that feeling.  We put it together, they wrote the script, I cast it, made a board to use as a shock table, and we shot it over two sessions.  We weren't sure which would be accepted by the ethics board so we shot two versions of the final stages.  One with blood and burns on the victim and one without.


It was the first time I'd ever done this as a hired job for someone else.  I didn't have total control and made changes from my original plans.  I was putting more drama in to it than it needed.  It wasn't a dramatic story I was telling.  It was creating a plainly done experiment that was, in effect, torture.  I'm glad this happened this way.  In the real world it is rarely a one person show.  Even a producer and director has other people that have input and have to be dealt with.  It was a good real world film making experience.  We finished in June, the professors were both excited about the final product and the ethics board approved the more intense, blood versions fairly quickly.  Once they approved the project completely the money would be released and I would get paid.  Fair enough.
Then the wait began.  Wait, wait, wait.  The problems the ethics board had was not with my work, it was approved, but with the way the professors were going to conduct the experiment.  Who was going to monitor?  What details and who the subjects would be and how they were chosen, etc.  It just kept going and going.  I kept in touch with one professor who kept me updated.  Missed deadlines, misunderstood instructions, all sort of things that kept pushing it back month after month.  
At the start of November I was told it was going to be finished. "It's a good bet."  The November meeting came and went without approval.  I had been trying to be nice about it, not wanting to burn bridges and prevent any recommendations for future work, so I just waited.  Finally when the end of December came around I hit another missed deadline.  I was also informed that one of the professors had completely lost interest in the project.  One of the reasons they had missed deadlines was because he was dragging his feet and not answering the ethics board's requests.  I was also told that after it was approved and I was paid, it was most likely going to be dropped.  It would never be seen or used.  
So that was it!  Hard work to put together something very effective and 8 months of waiting went by for nothing. 
After the new year started I decided it didn't matter anymore about burning bridges.  Since it was never going to be seen there would be no other professors taking an interest in what I could do.  It had been such work it was obvious these two professors would never do it again.  I spoke with a friend, a lawyer, who've known for 15 years about what my rights were.  Though we never had a contract with the professors I had kept all of the emails we'd shared and there was enough proof that backed up my claim to be paid.  I considered going to small claims court,  He suggested that just contacting the legal council at the university would get things moving.  Even for small amounts they do not want public records against the university so I sent two requests for information.  One to the ethics board and one to the V.P. of the legal council.
Within 90 minutes I got word back from legal.  They had checked out the ethics board and the professors about the delay and instructed them to get it done.  There was some wrangling after that, a few more delays, but last week I filed out the proper paperwork, invoice, social security number, etc so the budgeting people are setting everything up.  A few days to go, maybe even today, and I'll finally get finished.
I really expected better from the University.  I'm especially angry at the ethics board who ignored my requests for info, even though they are a publicly funded institution, and send nasty emails to the professors.  Ethics board?  Hopefully the other work that I've done, an award winning documentary on the University theater, will be seen and get people interested in more work.  Since I never actually got the court system involved I believe it'll just be forgotten by the legal council so there are no bridges burned.
I couldn't help but feel it was because we were artists, film maker and actor.  Had they purchased a piece of equipment it would have been taken care of along time ago.  Since it was artists we could wait.  No hurry.  Maybe we'd just say "Ok, that didn't work" and let it go.
How many other artists were waiting to get paid for their work?  Were we the only ones?  Don't treat the artists like they are second class workers.  Never ever forget that.

Sunday, January 24, 2016

THE BURNING ROOM

Rehearsing this week for a new film called The Burning Room. It's really the biggest thing I've ever written.  10 years ago I wouldn't even have considered doing this, but here it is.  It's a very politically charged piece dealing with censorship, voter suppression and media control.  I've done things in the past few years with this going on in the background but this is really in your face.  
It helps having 4 very talented and experienced actors.  Chelsea Wing, Alice Doherty, Tera Harvey and Danny Peterson are excellent.  When watching them rehearse yesterday I was so thrilled because they were all on the same page together.  They are all equally excited about it.  

Alice Doherty as Petra and Danny Petersen as The State

Tera Harvey as Jess

Chelsea Wing as Dallas
 Three prisoners in The Burning Room




Saturday, January 16, 2016

BACK TO THE BLOG

Well, here it is.  It has been to damn long since I've been here.  So many things have happened, some good and some bad, I'm not really sure where to start.  I'll start this revival with just a bit about what I'm doing now.
I'm getting back in to the habit of fiction writing every day.  Only getting a few pages a week but it's getting things going again.  I was a bit worried that it had been so long since I was working on Starpoint Mountain it would be difficult to get back in to character.  I'm doing okay with the people and places and story but I have to admit I've forgotten some of the details.  What did I name that god?  What was the color of the vest her was wearing?  Some of the names of the supporting characters I have to go back and check up.
Still, it's going.