Sunday, March 17, 2013

HOLY CRAP

Oh, my, it has been a long time.  Didn't realize it had been 7 months since I updated here.  Forcing myself to get back into the habit.

Saturday, August 18, 2012

IN THE SHADOWS OF THE BOMBS

It's been a good week for writing.  The sky opened up and a lot of good ideas dropped out and solved some problems.  I realized I hadn't focused enough and did some hard thinking about the characters.  I had to concentrate on how they would change during the story.  The really brought things together and I finally got a good eye on things.  I went back and rewrote it and the characters are coming off a lot stronger now.  I also got a lot of work done on the second, and final, episode.  The other result of the new characters is there's a lot more conflict and tension, more drama, between them.
Since the whole idea behind the story was changing the title "November Girl" didn't work anymore.  It wasn't about her any more.  I had considered "November Girl: In the Shadows of the Bombs" but that and the individual episode titles got to be to confusing.  "November Girl: In the Shadows of the Bombs.  Episode One: The Long Winter" was way to much.  I finally decided to pull "November Girl" out of the title.  I also think "In the Shadows of the Bombs" is a pretty interesting and attention getting title. 
Will most likely finish the script this weekend.

Friday, August 10, 2012

NOVEMBER GIRL SCRIPT REVIEW PART 2

It hasn't been as good of a week as I had hoped.  They were supposed to review and work on the script in the podcast on Thursday.  On Wednesday night I got an email telling me that, due to budget restrictions, the entire series of podcasts had been cancelled.  That was it.  A really good opportunity just wasn't going to happen.
The script has, however, gotten three reviews from other authors on the Trigger Street Labs site.  There are a few things they brought up that I have to admit need work.  One of thems were the times I told things instead of showing them and I can't deny that is something that needs to be fixed and strengthened.  What happened is I was writing the script in the "What can I produce?" frame of mind and not the big budget feature film mind set.  That really is neither good or bad for the script.  It doesn't hurt it but it would help to keep that in mind during a rewrite.
One thing that puzzles me is the complaints about the "to be" verbs.  In fiction I'm told to focus on them but two of the reviews have said they are distracting in a screenplay.  I'm not sure I understand this.  They specifically say that "November is walking along the river" is the wrong way to say it.  It should be "November walks along the river."  I have to think that one through because I'm not sure I understand the problem there.
There are times they felt that I was really talking to the viewer instead of the characters talking to each other.  I have to admit I'm guilty.  That is partially be design.  It's the Heinlein traits I like so much and have to admit there were times I wanted to say something.  Of course, this complaint came from two of the three reviewers and I should really wait until I get more feedback before approaching it.
One of the reviews really didn't like that I told detailed character motivations and reactions in the description.  "November is confused by this and not sure how to react." should be replaced by "November is unsure and shrugs." or just what she physically does.  This is something I don't really agree with.  I remember reading a book by David Gerrold about writing The Trouble with triblles episode of Star Trek.  He talked about how his original script would have directions like "Kirk reacts." and was told during the production it should give more info and how Kirk reacted.  Was he sad?  Was he angry?  Did he take it seriously?  Need to think about this one a while, too.  

NOVEMBER GIRL SCRIPT REVIEW PART 1 (SPOILERS)

I really got into this script right away. I’m fascinated by end of the world stories, because I know society as we know it can change awfully quick and what could replace it might not be all that pleasant. I love The Walking Dead and World War Z and this reminded me of those a little bit. Just without the zombies.

You opened with a very
strong visual. 25 nukes going off will get your attention. Then the 5 months later slug line is pretty cool too. Good drama, sucks you in. In other movies, the nukes going off might be the end of the movie. Here it is just the start.

You do a great job of getting us to like November right away as she comes to Dove’s rescue. A great “Save the Cat” moment of creating a hero that we like.

From there I liked how you showed us what this new world was like and how details of how the attack happened.


I have to admit, I liked the script when the scope of the characters was smaller. Like in the book and movie “The Road.” A huge event has occurred, but because we stay mainly with the father and son it is easier to follow and stay involved with “The Road.” Once all these different characters came into the picture in your script, it was a little tough keeping up with them all.


I’m sure in a movie it would be fine, as we have the actors to keep up with. On the page of the script it is a little tougher.


It is quite a twist to think that the hero we’ve been following could be involved with the bombing of America, so that was a good twist.


I do have to say I thought the ending was anticlimactic. As I read the script, I was really anticipating the ending. Would another bomb go off? Would the US be restored?


But it ended as if this was just the first part of a series of movies, which may be your goal. I guess I wanted more bang for the buck.


I saw in your bio that you have written some novels, and I would suggest you turn this into a novel, if you haven’t already. Look at he success of Hunger Games. Always a market for strong female characters that can kick ass. Also you can go more internal with your characters and share their thoughts, which you can’t really do with a script.


Post nuclear scripts have been done, but I like your Iowa take on it. How does this small city and its inhabitants
deal with the new world? I liked that.
If I were you I would write this story as a novel and try to get some traction there and then sell the movie rights.
If you want to push it strictly as a screenplay, I would suggest
investing in some screenplay formatting books and make sure your script looks like a Hollywood standard script. Otherwise people might think it is the work of an amateur and not give it a fair shot.
I’m sure a lot of reviews are going to give you a hard time about the format, but the truth is, if it is a good story, format won’t matter. Formatting can be fixed a lot easier than a bad script can be.
If you do reformat, break up your action paragraphs. I try to only have 2 or 3 lines of action in a paragraph, then I start another 2 or 3 line paragraph, if I need it. And if I can have one line, even better. Why? Because people are lazy and tend to skim long blocks of description in scripts.
Of course they will read and buy novels and, which by their nature are very wordy, but scripts are different. The quicker people read, the faster they will get into your story.
Also you don’t need to break the script up into parts, as if it was a mini series. If it is a feature film, you just go from start to finish. No act breaks.
You could always try to sell it as a TV series, but that is easier said than done. Plus it seems a lot like that new NBC series REVOLUTION. Not the idea, but just the tone of it a little bit. Maybe that could be a good thing if Revolution is a hit. Maybe people will rush out to clone it.
So for me, I like the first half better than the last half. I think you should think about making it a novel, if you haven’t already done so. Give the script proper formatting and be aware the ending is kind of a let down. But it does show you have a lot of talent as a writer.
Enjoyed reading it. Good luck.

Sunday, July 29, 2012

NOVEMBER GIRL JULY 2012

A couple of weeks ago I saw this in the newspaper.  I'd been having trouble deciding what project to do next when I caught the daughter's name.  It woke me up enough to get me moving again.  I'd realized that I had done several hundred pages of a novel based on that character and there certainly had to be somewhere else I could pick up her story.  I've been keeping in mind the problems I had the first time around and not letting it get out of hand.  This story is only two episodes with a half dozen characters at most.  I've also been very mindful of locations and specifically keeping it within places I know we could use or green screen if necessary.  Going to finish the script within the next week, maybe even today, then start looking for a November.

SECRET FORTUNES UPDATE

Of the 914 videos on PATV's youtube channel Secret Fortunes is the no. 17 of the most viewed shows.  I'm very proud of this and it gets better.  For 2012 it's no. 8 and for the new videos posted in 2012 it's no. 1.  YEAH!  It gets better.

I'm in the process of moving Secret Fortunes up to a bigger market.  Jerrod, from PATV pointed me to a website called PegMedia which is specifically designed to help Public Access stations share shows.  There were some requirements that Josh helped me with yesterday and I uploaded it yesterday.  Now it is in the process of being installed on their server and then I will do a massive email blast to PATV stations around the country.  The way it's set up is I can load it up to their site for free and anyone who wants to download it has to pay 99 cents.  I can also sponsor the downloads so the markets will get them for free.  I might do that but will wait until the next payday to take care of it.  Either way it's a good chance.  I'm hoping one of the things that will make it appeal to stations is it's a dramatic character piece.  I was looking at the hundreds of shows they have and there are lots of talk shows and documentaries.  Nothing bad about that, mind you, it's just that there are very few original dramas.  Will keep you updated as it moves forward.

Thursday, June 14, 2012

NOVEMBER GIRL

I'm finally getting caught up on things.  Sad to say that I had to stop production of November Girl.  There were several reasons why I had to stop and it was a pretty tough decision.  For the most part it felt so good and there seemed to be genuine interest in the project.  I was waiting outside the studio one morning and one of the managers of Uptown Bill's stopped and asked about it.  He was so impressed he gave me his business card and told me to contact him when we were done and we'd try and set some event up with them.  That was great.  Unfortunately there were to many obstacles.
One was the problems with getting actors who would commit to the production.  I had a few of them who agreed to do it and seemed very excited about it but when it came to actually spending time they were just too busy and dropped out.  One guy I work with was going to do one scene for one day.  he only had a few lines and he thought it would be fun.  For reasons I'll never understand his wife got worried that there would be something in the film that got them in to trouble.  What?  She wanted to read the script and see what it was about so I gave them the script for the first episode.  That wasn't enough and she wanted to read the whole script.  I don't know what she thought was in there but I felt uncomfortable having to get script approval from someone I didn't know just so he could do a few lines.  His character didn't even have a name.  It was pretty ridiculous and he dropped out to make his wife happy.  There were all sorts of problems like that and after 5 weeks of work I still had almost no footage to show for it.  I finally had a heart to heart talk with one of the actresses and she admitted that, had she known it would be so complex, she wouldn't have agreed to do it in the first place.  She was polite about it but it was obvious she couldn't give it the dedication it needed.  My only choice was to suspend the project for now.
I haven't given up on it, I still believe this has the potential for being a very successful series, but I've put it on the shelf for a while.  Maybe in fall when there is a new group of actors at UI I'll start it up again.  I'll have to start from scratch, there is no way to use the footage we shot with a recast, and hopefully I'll find someone who lives in Iowa City who'll help out.  It would just be much easier to set up the locations if there was someone who lived in town and didn't have to make a big trip.
In the mean time I've entered the script in the Land Locked Film Festival in October.  I've also submitted it to Trigger Street labs which is a site set up by actor Kevin Spacey to help people promote their work.  I'm also looking to see if there are other possibilities.
Will, hopefully, have some good news in the future.
Not really sure what my next project will be.  Everyone at PATV has been very supportive and I want to do more there.  I've had a few ideas but nothing has really got me excited yet.